Path to Recognition

Alexander Bazhbeuk-Melikyan
Female Acrobat

There is a story to tell

The ambition of this project is to introduce the world to Armenian art history and create a new level of engagement with Armenia’s cultural identity.

Armenia, at the crossroads of Europe and Asia, boasts a rich cultural heritage shaped by diverse influences. The Armenian Diaspora spread from India to Holland and England in the 17th-18th centuries, while Armenians, tracing their origins to Achaemenid Persia, were without a homeland from 1375 to 1918. Following the collapse of the Russian Empire in the early 20th century, Armenian immigrants brought ideas, skills, and values to their homeland.

Early 20th-century Armenian artists from France, Georgia, Lebanon, and mid-century New York significantly influenced Armenian Modern art, bridging Eastern and Western influences.

Armenian art in the 20th century focused on traditional media like drawing and painting, spanning monumental landscapes, humorous graphic paintings, and more. This art reflects the interconnectedness of global cultures, diverse geographical regions, and the unique contributions of Armenian artists.

A striking feature of Armenian modern art is the absence of a singular style. Instead, artists were influenced by their immediate environments, often far from their homeland. This diversity underscores the interconnectedness of global cultures, emphasizing that Armenian culture and identity exist within a global context.

Key figures such as Martiros Saryan and Minas Avetisyan from the homeland, alongside diaspora artists like Paul Guiragossian and Arshile Gorky, exemplify the diverse and dynamic nature of Armenian Modernism. These artists’ works highlight a wide range of emotions and subjects, making Armenian modern art a rich field for re-evaluation and recognition in the broader narrative of twentieth-century art.

Soviet reforms had a significant impact on Armenian art, which, unlike post-socialist Eastern European art, was not neo- or post-Avant-garde but an autonomous, future-oriented, liberating practice. The national Armenian Avant-garde emerged similarly to the Italian Transavanguardia of the 1980s, intertwining ethnic identification with cultural progressiveness. This movement embraced rich cultural heritage and innovative artistic expressions, creating a unique blend of tradition and modernity.

The intention of this project is to assert that Armenian art has significantly contributed to the evolution of Modernism, showcasing the abundance of native and diasporic talent that has enriched international high Modernism and beyond. The project also aims to empower Armenian contemporary artists by enhancing their promotion and visibility, facilitating their entry into the international art market. Additionally, it seeks to identify and elevate the status of lesser-known Armenian Modern and Contemporary artists who have made notable contributions to art history but have not yet received the recognition they deserve.
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Paul Guiragossian
( 1926-1993 )
The Funeral Of Abdel Nasser

An artist of the stature of Paul Guiragossian (1926-93) has been awarded a mere four solo shows to date, and yet his role in defining Middle Eastern modernism has been very significant.

The most famous name of the five painters included in this exhibition was that of Minas Avetisian, Henrik Siravian, Lavinia Bazhbeuk-Melikian, Alexander Grigorian, Arpenik Ghapantsian.”

Gerardo Oragian (1902-1962) In a Café (1961)

Arshile Gorky
( 1904-1948 )
The Artist and His Mother
1926